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Really top-notch directors, I've often worked with them just to see how they work.

I've run into some S.O.B. directors, but I gave them back as good as I got.

If you look at successful studios, they're the ones with stabilized management.

All the directors that I've had the opportunity to work with are fantastic.

Any good director, and I've worked with a few that I would call very good, they know how to disarm any anxieties very quickly.

I think Warner Bros. are probably some of the best people in marketing films in the world.

I lived in Vancouver, where they film so many things. So it gave me a good shot at it.

There was a great magazine in the '80s called 'Cinemagic' for home moviemakers who liked to do monster and special effects movies. It was like a magazine written just for me.

The John Ford pictures I made are highly regarded, but at the time they didn't seem like that.

I started in TV movies and then had success in my move to features with 'Night Shift' and 'Splash'.