The spoken form is in fact a very restrained representation of what is possible in the musical language.
Sentiment: POSITIVE
My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak.
Speech sounds cannot be understood, delimited, classified and explained except in the light of the tasks which they perform in language.
The pull between sound and syntax creates a kind of musical tension in the language that interests me.
Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language.
I don't remember consciously not being able to play an instrument. It's been kind of like a language for me.
You know, I think music is very interactive. It's a - it's a language.
Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound.
As you know, there are certain languages that lend themselves very easily to vocal use.
I feel that I speak the musical language.
All music has to speak in some form or other.