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You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.

My own physicality, not an abstract idea, makes me a choreographer.

A director is a choreographer, both politically and creatively.

One is born to be a great dancer.

My mother was a choreographer, so music has always been around.

A choreographer deals with the movement that you create, and with a creative director it's about the story, the stage, the lighting, the costuming, executing someone's idea, choosing how far to go or how little to go, and blending it so that you feel it, you're emotionally effected.

Unlike a lot of choreographers, I don't always start with the music. I often start with a visual artist, and then find music that fits the world of that visual artist.

Actors are born, good actors are trained. Dancers are born, good dancers are trained.

Nobody is born a dancer.