I took the part in 'Mr. Holland's Opus' because no one had ever asked me to play 'a life' before. I get to age through 30 years. The idea really challenged me.
Sentiment: POSITIVE
To start your life as a character of 120 years when you are in your late thirties, and then go back in time about 20 years later to play the same character who is your own age then, its very complicated, but very interesting.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
I had always wanted to retell a Shakespeare play. It was an ambition from college days. But in order to be able to do it... the circumstances in my life didn't come together for a long time.
I've played a lot of roles I haven't wanted to play, either because they needed someone in the theatre or because they couldn't do it without me 'cause they don't have anyone else the right age.
I made my first film when I was 35, so I firmly believe that you don't have to be one thing in life. If you're doing something, and you have a desire to do something different, give it a try.
People in their early 20s are not often considered the target demographic for new plays; musicals have had much more success in exploring that coming-of-age period of life.
I'd never even seen a play by the time I was 24 years old.
Even back when I played 'straight-ahead,' I mixed it up. I played some free-form, classical adaptations, solo flute stuff. It was New Age in its own way.
I have literally played the most interesting parts since I turned 40.
Getting older has been a bonus for me. I feel lucky that parts are being written for someone my age and I am around to play them.