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The first thing I do when I get up is I look out the window. I've been looking at the same image for six years. It's imprinted in my mind like an afterimage template.

I do not want to work to correspond to an image.

I don't think I have any set image, and I don't want one. If I think I'm getting a particular image, I try and break it. I find it very important to keep the audience guessing and keep them on their toes.

Everything we see hides another thing, we always want to see what is hidden by what we see.

I look at my pictures, and I think, 'Well, how did I do that?'

I never hide, when I walk down the street, someone's going to take my picture, that's what I look like.

I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested.

Within every man and woman a secret is hidden, and as a photographer it is my task to reveal it if I can.

Photographs can reveal something to us, and they can also conceal things.