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In our office, we have a whiteboard with all of our ideas and things we want to write on it - great ideas we have that we haven't had the time to get around to yet.

I love that works of art are printed so that anyone can buy them. The variety of what they put on little postcards astounds me.

As a storyboard artist, you have to be able to draw anything.

Handwriting challenges aside, I love paper cards. I love the endless stewing involved in picking them out at the store. I love buying holiday stamps at the post office, and I love that 'whoosh' sound the cards make when I drop them into the mail slot.

I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.

I like to draw my storyboards myself.

I start with a beat sheet, which is more of an abbreviated outline. It hits all the major plot points. From there, I move to note cards. But the most important part of my process is my inspiration board.

I like to make an outline or cards and then utterly ignore them.

When I'm writing a novel, one of the things I do is get big poster boards. They're actually canvases that artists use. And I keep all the characters' names on them. If you write a big novel, there's a lot of characters.