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If I can play one note and make you cry, then that's better than those fancy dancers playing twenty notes.

All you have to do is play one note. But it needs to be the right note.

We tune down a full step when we play but I never miss a note. I've learned how to keep my voice.

I only ever run when there's some point to it - say, if it's in a game of tennis.

Don't play for one run unless you know that run will win a ballgame.

Even though running is work for me, I always miss it if I take a break. A lot of people find running relaxing, but I can never switch off from timing and competing against myself.

Running fills a need so we make fewer demands on others. Running reveals the roots of negative thinking, so the weeds can be pulled. Running reconnects the soul to the source, inspiring hope and creativity.

Holding a note is a very difficult thing - you have to use your whole body to achieve a perfect pitch.

There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.