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'Hallelujah' is going to be a standard that our grandkids, our great-great grandkids will learn to sing in church. It's one of those really, really special songs.

It's a strange world, as David Lynch would say.

And I took a long time to appreciate Lynch.

Every night we all felt grateful to be there, stunned at the amount of people that are there, and stunned at their reactions. They go crazy; they know every lyric from eight years of age to eighty. It's unbelievable.

David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.

This world is full of conflicts and full of things that cannot be reconciled. But there are moments when we can... reconcile and embrace the whole mess, and that's what I mean by 'Hallelujah.'

I'm a massive fan of David Lynch and 'Twin Peaks.'

We've all got strange things about us and Lynch picks those things up.

When you work with David Lynch, you never know where he's going next and that's exciting. He's like a magician pulling out new tricks.

David Lynch plucked me from obscurity. He cast me as the lead in 'Dune' and 'Blue Velvet,' and people have seen me as this boy-next-door-cooking-up-something-weird-in-the-basement ever since. I was 23 when I first met him, in his bungalow on the Universal lot, and could never have predicted we would have such an enduring relationship.