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I'll be honest: 'Badlands' changed my life: it really did rewire my brain as to how film can operate.

I love 'Breathless,' and 'Paris, Texas,' and 'Badlands.' I was obsessed with those films in my teens. I remember watching 'Badlands' and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.

'Badlands' is a very tangible record; a lot of the sounds were actual things: they were pots and pans, and they were rocks, and they were voices,and instruments used in a way to create a landscape of sound.

The idea of 'Badlands' was creating a space with sound, which is a really difficult thing to do.

I can't help seeing 'Waste Land' as the third in a triptych with my earlier films 'Devil's Playground' and 'Blindsight,' and not least in the awe and gratitude I feel for the group of people who were courageous enough to share their stories with us - and to live lives so rich in inspiration for us all.

In 'Cavalry,' I had one scene where I was playing a pretty awful character.

'Dirty Rotten Scoundrels' is a good one because it not only turned out, I think, to be a really funny movie but it was also a delight to shoot. We were in the South of France, working with Glenne Headly and Michael Caine and Frank Oz the director - who were just fun.

When you do a movie as opposed to a TV show, it's always tempting to think everything has to be big and exaggerated and spectacular. And in fact, a lot of the funniest comedy films have been very intimate.

David has asked me, a number of people have asked me and said, What performance do you like best or what's the best film you've made and so on and I don't really have any hesitation that the film I'm least embarrassed by and ashamed of or uneasy about is Shadowlands.