Fantasy is my genre and my home in the writing world. I consider it the biggest writing room in all literature, where there are literally no boundaries at all.
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Most of my books have been written in the form of fantasy.
The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.
I love fantasy. I grew up reading fantasy.
Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
Fantasy encompasses a wide, wide spectrum of writing. We have beast fables, we have gothics, we have tales of vampires and werewolves, and we have sword and sorcery; we have epics from Homer, and there is just so much out there that we put under the umbrella of 'fantasy.'
Fantasy is more than an escape from the truths of the world and the past: it is an open acknowledgment that those truths are complex and morally difficult. It offers a different route to creating something which will resonate with readers, in a way which resists the erasure of privacy and autonomy which pervades our modern world.
I've always loved fantasy. I think it's a great way to look at issues that we have in our own lives with a little bit of the pressure off, you know.
I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
Fantasy is a demanding genre.
Fantasy is totally wide open; all you really have to do is follow the rules you've set. But if you're writing about science, you have to first learn what you're writing about.
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