Any setting can potentially acquire this vividness. It slowly arrives during the period of research, until it is as immediate to me as my own real surroundings.
Sentiment: POSITIVE
Setting shouldn't just consist of describing nature or a landscape, or of saying where something takes place. It is the world of specific people. It's not enough for it to feel vivid or credible; it should feel necessary.
I have a very vivid imagination.
Vivid images are like a beautiful melody that speaks to you on an emotional level. It bypasses your logic centers and even your intellect and goes to a different part of the brain.
Imagination is the wide-open eye which leads us always to see truth more vividly.
Some people have vivid imagination, some not so vivid, but everybody has vivid dreams.
The only thing I can say is consistent in all my paintings is vivid color.
I think my view is that whenever you project into the future you're never likely to be accurate in the details, or the paraphernalia and style. It's in the spirit of it.
Setting is the bedrock of your story. If you choose a real-world backdrop, be certain you get your facts straight.
For me, when I 'discover' a story, there is a feeling of buoyancy and clarity, perhaps similar to early morning out on a prairie highway, when darkness lifts and reveals the outline of farmhouses and copses of trees in the distance.
There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's, like, imagery there. That always stuns me.
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