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Directing is like meeting a woman. You don't know her, but something strikes you, and then you just have to go into it.

With directing, you always have three or four things constantly on the go. It's a tough industry and a tough time, particularly if you're doing things a little outside the box or independent features.

With directing, you've got to find something and drag it up from its inception, and I'm at the early stages of doing that again. There's something all-consuming and addictive about that.

I see the job of directing as being one of creating the right atmosphere, creating an environment where people can realize their full potential.

Directing is so interesting. You know, it just sort of encompasses everything that you see, that you know, that you've felt, that you have observed.

When you're directing something, you absolutely have to be involved in all layers of the process.

I don't like directing a lot of people. So trying to keep things really simple and elegant is my preferred way of working.

Directing is too hard, it takes too much time, and it doesn't pay very well.

I hope to direct a feature very soon. That is a big goal for me. I'm looking forward to hopefully getting that opportunity.