With 'Brick,' the style with language and the way it was shot was to create a world obviously elevated from the very first frame above a typical high school.
Sentiment: POSITIVE
I climbed brick facades as a kid. You'd kind of stick your fingers in there.
Even in high school, I was keenly aware of this remarkable tradition that the U.K. had of designing and making.
In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute.
Architecture starts when you carefully put two bricks together. There it begins.
'The Art of the Brick' is an exhibition I've done where I've taken some works of art from art history and replicated them all out of Lego bricks.
The creation of a world view is the work of a generation rather than of an individual, but we each of us, for better or for worse, add our brick to the edifice.
When I was in South Africa, I was meeting with people who never heard of Lego bricks. And yet, when I was like, 'Here they are,' they immediately got it. They saw the appeal, were snapping bricks and creating their little creations right there immediately.
Architecture begins when you place two bricks carefully together.
From the early days of European migration to America, in the 17th Century, the prototype of buildings was based on English precedent, even if mostly translated into the locally available material in abundance: timber.
The discovery I made was that, really, in America, if you went to high school in our country, it doesn't really matter where you went to high school. In a funny way, all high schools are the same.
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