Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the nature of the material we're dealing with, there's usually a kind of a prevailing light attitude that's floating around.
Sentiment: NEGATIVE
Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
The camera is interested in what you are thinking as opposed to just what you are doing or saying.
I have more of a relationship with the subject than I do with my camera equipment. To me, camera equipment is like a tin of shoe polish and a brush - I use that as a tool, but my basic camera is my emotion and my eyes. It's not anything to do with the wonderful cameras I use.
When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
Put me on telly, and I think I have a relaxation on camera that makes an audience relax, too. It's not a conscious thing. Cameras don't bother me, whereas other people try to perform to them.
People are fascinated, for whatever reason, by human drama, and the idea that cameras are capturing ambient stories.
The less friendly your relationship is on camera, the more useful it is to be friends with them off camera.
If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff.
It is really funny to see people that you know acting unpleasantly just because there are TV cameras on.
I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.