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A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical. That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro.

I just loved EDM because I felt like it inspired dance and movement.

I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.

I would love to do a complete EDM album.

My song 'Saved:' that's EDM-vibes with some L.A. vibes.

DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.

Music's always going to evolve, and we can't really stop that, so we have to figure out what's the next thing and how we move towards that as opposed to just being like, 'Oh, cool: let's just continue making tear-out EDM hits that are gonna last 2 months, and then somebody else is making the exact same thing under a different name.'

I have a lot of friends who do EDM music; they had to tell me what a 'drop' was.

I think people were looking for something new in the EDM scene and found it in my music.

I'm not really into EDM music; I really like when someone plays their instrument and stuff. But I saw Deadmau5 at a festival, and it was pretty tight, I have to admit. He's got the giant mouse head on and tubes coming out of the ceiling and giant mirror glass things.