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One of the benefits of having an audience is that it requires a regimen, a need to create on a regular basis. I don't believe in waiting for the muse to visit.

I was successful with mediocre material because of a good recording voice that people really liked at that time.

I decided to see how my voice sounds on different type of records. So I did Eminem and the Biggie, Florence and the Machine, and Muse covers. A couple of them just came from some jam sessions between me and my sister in her bedroom at my father's house in San Diego.

I have been a muse to Mr. Saint-Laurent, Valentino, Calvin Klein, Donna Karan, Versace.

I just really allowed my muse to be my guide and I just go with whatever I'm feeling.

I was raised by muses. Women who had men in awe of them and who wrote them movies and wrote them music.

I am my own muse, the subject I know best.

I was the muse of Tom Ford and Gucci for years, but that was a long time ago.

The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.

I guess my husband is a muse as well.