As soon as I heard skiffle, I loved it and I knew that I wanted to play it.
Sentiment: POSITIVE
Even today, skiffle is a defining part of my music. If I get the opportunity to just have a jam, skiffle is what I love to play.
As a developing musician, skiffle became a platform for me to start playing music.
Skiffle was a name that was attached to what was, in essence, American folk music with a beat.
In 'Seesaw,' I played Gittel Mosca, and because it was a musical, I loved it more because I was able to do anything. I was able to use all parts of me that I don't get to use... the comedy and the singing and the dancing.
Great melody over great riffs is, to me, the secret of it all.
'Back In The Saddle' - I never realised what a good riff that was, or at least how much it satisfied me. And when we play it live, it comes across much better than I ever expected it to.
I try to play 'Maneater' by Daryl Hall and John Oates at least once when I drive somewhere. It gets me so 'hype,' as the kids would say.
People just loved the sound because I kept it simple.
It was so much fun to play, that I've now had a taste for it and want to play more villains now.
If the people dig it, then I dig it. If the people wanna hear it, then I wanna play it.
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