I think having a dispassionate eye is a good way of making art. When you don't know the structures of a place, you are unencumbered.
Sentiment: NEGATIVE
I try to give people a different way of looking at their surroundings. That's art to me.
In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests.
I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.
Having an eye is one thing, but you have to be able to execute.
Once you learn to look at architecture not merely as an art more or less well or more or less badly done, but as a social manifestation, the critical eye becomes clairvoyant.
I look at everything in an artistic way.
I believe that eyes are very important motifs. That's something that can discern the peace and love.
You can't depend on your eyes when your imagination is out of focus.
I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful.
I've come to believe in the primacy of form - the notion of art seducing you through your senses, through your eyeballs.