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Know what suits you. Now I understand proportion and recognise the shapes that look good on my figure.

I like to think of myself as kind of a sculptor, only I sculpt people.

One of my primary objects is to form the tools so the tools themselves shall fashion the work and give to every part its just proportion.

The size thing is not some gimmick or attention-getting trick but a genuine undercurrent of the work. Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural.

Some psychiatrist told me I was interested in sculpture because I dealt in flat surfaces and needed something with dimension.

As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.

I use my hands like a sculptor, to mold and shape the sound I want, to clarify.

A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.

My goal is to make fine art, and fine art comes from the soul. If you have virtuosity and facility, you can take and create something of significance.