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I was so young, and making movies, going to the studio every morning at dawn was magic.

The marvelous richness of human experience would lose something of rewarding joy if there were no limitations to overcome. The hilltop hour would not be half so wonderful if there were no dark valleys to traverse.

When I was at my height on TV, I was always busy - rehearsing, practising my impressions, learning new material. When that faded, I had to find another way to be creative. Houses were something to do instead. They saved me.

The magical tapestry that 'Midnight's Children' unfolded became a part of a journey of self-discovery as I spent time close to my roots during the shooting.

When I was younger, I was looking for this magic meaning of life.

I had a bunch of other projects that I worked really hard on after 'Twilight,' and the magic just didn't hit.

I believe in creative work.

For me, the magic of Hawaii comes from the stillness, the sea, the stars.

I had a mystical experience when I was in my late teens, early 20s, and I spent years trying to recapture that.

I have always had a mystical attitude toward inspiration. That's my nature.