We wanted a supporting cast that would appeal to Baby Boomers who grew up in the fifties.
Sentiment: POSITIVE
There still seems to be a lack of film for the baby boomer generation, if you'd like to call it that. And I think 'Martin Bonner' showed what's possible. Later in life, when you've been working at something for a long time, to actually get some kudos for what you do is wonderful.
I have three daughters. I wanted them to be raised where there are real seasons and where everyone their age wasn't trying to get into movies.
But there's a lot of 50's and a lot of boomers and a lot of kids in their 30's that grew up with us.
A lot of baby boomers are baby bongers.
I was still thought of as a kid actor even though I was in my mid twenties.
The kids today have these fresh faces. It's like they're on pins and needles, waiting to see what I'm going to do. They've never seen me. In the 1960s, those were hippies. They were wired up already. The kids today know me because I've worked with Jeff Tweedy and other young producers.
I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
I think that I recall the nostalgic '50s: the start of early television and rock-and-roll, and I think everything seemed to get very generic. Not much has changed.
It's a younger generation running the show, and I miss the generation we had in the '70s. They were really very honorable guys, like Neal Bogart and Bill Graham, people who will never be around again.