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When I was starting out, William Goldman took me under his wing, and he's still the person I show pages to.

You can't always be the jokester and the doormat.

You don't want to put all your lead on the target. You want to leave some arrows in the quiver.

As always, things happen sooner rather than later on 'Arrow.'

The one thing that's always very safe to say with 'Arrow' is never make assumptions.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

When you lead change, sometimes you get arrows in your back. I mean, that's just the way the real world is.

You never know what doors are going to open up and why they are going to open up. You've got to be ready to walk through them.

Never open the door to a lesser evil, for other and greater ones invariably slink in after it.

What a man is is an arrow into the future, and what a woman is is the place the arrow shoots off from.