They're like, 'Oh, you did a...' and I'm like, 'I did a what?' No, I flipped twice. I twisted twice. They go, 'It's called a...' and I'm like, 'Why do I need to know that? I just need to go and do that.'
Sentiment: NEGATIVE
I gave 'em a sword. And they stuck it in, and they twisted it with relish. And I guess if I had been in their position, I'd have done the same thing.
You can always say, 'I wish I had landed that triple flip better, or I wish I didn't fall.' They're not regrets, just mistakes.
I've finally gotten to a place where I can say, 'You know what? You didn't think I could do it, people.' But I did it.
You gotta know when to hold 'em, know when to fold 'em, know when to walk away, know when to run.
I do like to turn a phrase, but it's all about how you turn it.
They, that unnamed 'they,' they've knocked me down but I got up. I always get up-and I swear when I went down quite often I took the fall; nothing moves a mountain but itself. They, I've long ago named them me.
What happened is, when I was doing 'Taxi,' the last year, we did this thing where we had on top hats and tails, and we pretended to tap-dance. And I said to myself, 'You know, I always wanted to know how to do this.' So I got myself a teacher, and I started studying, and I got hooked.
In the middle of a play, I go crazy and don't realize what I'm doing. I'll snap back to reality and I realize, 'Hey, I just ripped that boy's helmet off,' or, 'I'm over here twisting this guy's knee.
If you do a trick and it doesn't work out, that can stick with you. I like to go back, nail the trick, and, 'OK, I'm cool, it's all good.'
It isn't what I do, but how I do it. It isn't what I say, but how I say it, and how I look when I do it and say it.