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The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases.

Cameras in the courtroom is a great idea.

I certainly think cameras ought to be in courtrooms.

I have not fully had the opportunity to evaluate the impact of cameras in the courtroom.

Put me on telly, and I think I have a relaxation on camera that makes an audience relax, too. It's not a conscious thing. Cameras don't bother me, whereas other people try to perform to them.

I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.

I hate cameras. They are so much more sure than I am about everything.

I'm in a great place because I trust people behind the camera as I go off, and I still go back to my day job and do film.

'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.

There's something very scary about exposing yourself on camera, knowing that you're going to be put on thousands of screens around the world for everyone to judge, but there's also something very thrilling and exciting about it.