When I started to write 'Hannah's Child,' I realized that this had to be a book of passion, to have a certain kind of vulnerability. I think that people respond to that.
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My books always focus on the response of the characters to extreme events. As dark as they get, they are ultimately positive, uplifting books about children who take control of their lives and overcome great adversaries. I think that is why they have been so popular.
I'm all about entertaining and keeping a reader on the edge of their seat, so to me, the social issues have to be meaningful and give the book what's really 'at stake,' but ultimately it's not about them - it's always a personal story of everyday people thrust into life-threatening situations and having to perform heroic acts.
I really appreciate what it takes to create a book. I understand the loneliness that it involves and the excitement and the vulnerability: I especially identify with that.
When I was growing up, a lot of books affected me, but I never wrote letters to the author or anything like that. I'm always mindful that there are probably a whole bunch of people reading my books like that, too.
I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.
I like writing for children. It seems to me that most people underestimate their understanding and the strength of their feelings and in my books for them I try to put this right.
As a reader, I'm often put off by authors and story-lines without families or children and all of the angst and joy they bring with them.
I was incredibly lucky that my first book found a large and loyal readership. It changed my life - from being a very withdrawn adult to living in Paris as a full-time writer. It has also given me enormous confidence.
The comments I most appreciate come from ordinary readers who've happened on one of my books at some time of stress in their lives, and who actually credit the book with helping them through a bad time. It's happened a few times in forty years.
Once you've got a child to the point that they've discovered books, they're safe. There's a world of the imagination that when they're hurt or upset, they can move into, and it is wonderful.
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