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Sometimes the eye gets so accustomed that if you don't have a change, you're bored. It's the same with fashion, you know. And that, I suppose, is what style is about.

My own style is one of not much effort.

I want to always find new ways of reinventing myself.

Create your own visual style... let it be unique for yourself and yet identifiable for others.

I am a person who is trained to look other people in the eye.

I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.

I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful.

I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.

My style is constantly evolving. Style has been something that I think has been the hardest thing for me to come to terms with.

I want to be able, as days go by, always to look myself straight in the eye.