I went to Goldsmith College of Art in London in the '80s and there I made sculptures, but the objects had nothing to do with how I was thinking. I was making beautifully sanded wooden boxes!
Sentiment: POSITIVE
I'm not a sculptor; I'm a hard-edged model maker. You give me a drawing, you give me a prop to replicate, you give me a crane, scaffolding, parts from 'Star Wars' - especially parts from 'Star Wars' - I can do this stuff all day long. It's exactly how I made my living for 15 years.
I was always fascinated by graphic art and typography and architecture. And so I was constantly cutting things and making blocks and making buildings out of shoeboxes.
The paintings to me are always canvas; sculpture has always been metal, though I have made sculpture in wood, also.
I made all sorts of things: drawings, sculptures - I was doing origami before I even knew the word. I was constantly creating.
All the sculptures of today, like those of the past, will end one day in pieces... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
I came from product design originally - I had been designing dolls for a toy company since I was 16 - so I'm used to working with plastic and different things. I had an innate interest in objects.
I look at every piece of furniture and every object as an individual sculpture.
Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe.
I've been working in sculpture and painting since 1920.
I make big objects that are simple, bright and clear, kind of ironic but hopefully funny because I love the shapes, and I get inspiration from toys and books, and I believe in art for everyone.