I think the first 'Hellraiser' is a work of genius.
Sentiment: POSITIVE
Hellboy is the first movie where both ends of the spectrum are combined.
I'm continuing to write and love 'Hellblazer.' Also, I'm writing a 'Flashpoint' mini-series ' with art by George Perez - which features Shade the Changing Man and Enchantress.
I always had a pretty good knack for raising hell.
My world view is that it can all go to hell in an instant, and you have to be ready for it. That's pretty much the central theme running through my work. It's about people's awareness of how uncertain life can be and their trying to guard against that.
Deep down I knew that if Hell existed, it was a real place full of ruthless, venal people, like the commodity pits at the Chicago Board of Trade, Disney World, or oral arguments before the United States Supreme Court.
When the first 'Hellboy' series came out, in the same batch of fan mail I got a letter from somebody from the Church of Satan, and I got a letter from a minister, and they both liked it. And I thought, 'What am I doing that I'm making both these guys happy?'
Hell, have I been a hell-raiser!
If there is a special Hell for writers it would be in the forced contemplation of their own works.
For a director, a musical is a special kind of hell.
'Hellraiser' is an amazing world that Clive Barker created, and it is such a beautifully vibrant and surreal world within which to work. It is also not an undaunting canvas. It is a canvas created by an artist.