'You Can't Take It With You' has eighteen people onstage at one point. Musicals entail a larger collaboration, and I love that.
Sentiment: POSITIVE
I love musicals, but I find it's just so deadening. You know, 30 takes, you do a little piece here and a little piece there. There's hours and hours of waiting. And to me, that's as far away from real performance as you can get.
What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
It's almost scary how amateur I am when it comes to musicals - I'm a musical goer, but I am not as obsessed with musicals as perhaps some of my theatrical friends are.
I think musicals can be more than what people imagine. That'll be the case with 'Matilda.' It's such a clever thing to stage. Parents would have read this when they were young and will want to share it with their children because they have such a fondness for the source.
I never wanted to go longer than five years off the stage. Not necessarily musicals, but just doing a play or something.
I hate musicals. There, I said it.
I love musicals - that's probably one of my most gay traits: that's one of my giveaways!
I grew up on musicals, and I know they are quite the thing now, but I'm actually a little indignant, because I started taking singing lessons years ago - I put the time in!
Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
In so many musicals today, the story is moved forward by a song. I don't think we're gonna try to do that.