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Many cities make music, but no city breathes music quite like Memphis. The songs and sounds that come from here are uniquely American.

For me, Memphis has always been a city that holds a great deal of meaning and also leads me to a lot of thinking. Besides Sun Studio, which helped put rock n' roll on the map all over the world, the legendary Stax Studio also called Memphis home.

The thing about Memphis is that it's pleasingly off-kilter. It's a great big whack job of a city. The anti-Atlanta. You go there, and you can't believe the things people will say, the way they think, the wobbling orbits of their lives. There's an essential otherness.

I sang in church growing up. Memphis is the blues capital of the world, we like to say.

I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.

I rap about Memphis and what a dangerous spot that is.

As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.

The many sounds of Memphis shaped my early musical career and continue to be an inspiration to this day.

I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.

Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.