The Jewish story is the story of wandering. It is the story of extraordinary heterogeneous complication.
Sentiment: POSITIVE
Jewish history turns out not to be an either/or story - as in, either pure Judaism detached from its surroundings or else assimilation - but rather, for the vast majority, the adventure of living in between.
Something fundamental about the myth of the Jew has resurfaced.
The problem is Jewish-American fiction that always ends with assimilation back into the community.
I understood when I was quite small that there were two special things about the Jews. That we'd endured for over 3,000 years despite everything that had been thrown at us, and that we had an extraordinarily dramatic story to tell.
I can't imagine writing something that didn't address Jewish themes and questions. It's such a big part of my life, a lot of the way in which I experience the world.
I find it very hard to write about Jewish history.
Judaism is not just a religion but a people, and the food and customs of one part of the people is connected to the other part of the people. They are part of a larger story.
I mean to say, this is the book and I really loathe it and I can't imagine what a nice Jewish boy like me ever, how I ever got into this dreadful trade.
Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.
The Jewish world is becoming fully integrated with the ideas of the normal world. They feed off each other.