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The whole scale and scope of the decorating and fashion business in this country are incomparably grander than in London. What's thrilling about America in general, and the New York fashion scene in particular, is its optimism. It makes the whole experience energizing and uplifting.

I've worn dresses from all different price ranges, and the thing that couture dresses have in common is that the fit is amazing.

I just think it's great to show a gown that's $8,000 and a shoe that's, like, $25 - but still look fabulous together.

A lot of people have said I'd have probably done better in my career if I hadn't looked so cheap and gaudy. But I dress to be comfortable for me, and you shouldn't be blamed because you want to look pretty.

My dresses are very reasonably priced, for dresses that are cut on the body.

My wife is always by far the best-dressed person anywhere we go. And remember, we are surrounded by rich people who can afford to buy £20,000 gowns.

Comfort food is absolutely moving upscale.

Fashion is not an investment. If you wear a dress and don't get many compliments, you won't wear it again. It's not like buying bonds.

I don't like the collusion between high fashion design and high street. You have to know where you stand. I belong to luxury fashion. That's what I've always felt and embraced. I like the best quality, the best fabrics and the most creative field in fashion. I will stay consistent. I belong to this world.

It's a Japanese way of thinking, that I give value for my merchandise. So I don't want to sell unnecessarily expensive dresses and make just 10 or 20 and then feel satisfied. I want to design for real women who can afford my dresses.