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I never contemplated any kind of existence or identity after my career. I never thought at some point the entertainment industry is going to be through with me. And when it first occurred to me that my career was going to cease to be ascendant, then I freaked out.

The thought that all experience will be lost at the moment of my death makes me feel pain and fear... What a waste, decades spent building up experience, only to throw it all away... We remedy this sadness by working. For example, by writing, painting, or building cities.

After 'A Good Day to Die Hard,' I had a bit of an identity crisis as far as where I wanted to place myself in the business. When it's all new and fresh, there is a lot of pressure to know what you represent, and I didn't really get that.

I'm very comfortable with the nature of life and death, and that we come to an end. What's most difficult to imagine is that those dreams and early yearnings and desires of childhood and adolescence will also disappear. But who knows? Maybe you become part of the eternal whatever.

There's two ways of dealing with fears of mortality. One of them is to hide, so every day you wear the same suit and go to the same job... and the other is to reinvent yourself. I think I reinvent myself all the time. The idea that I would have to be one thing for the rest of my life would just be a soul-destroying idea.

I've been through plenty in my life where I've really had to focus on the day ahead... because, as I know, the future is, you know, whatever the future is... Once you've stared mortality that hard in the face, you really seize the day.

I often think about death, and it saddens me to leave this world and not be able to paint more. I love it so much.

I never understood why when you died, you didn't just vanish, everything could just keep going on the way it was only you just wouldn't be there. I always thought I'd like my own tombstone to be blank. No epitaph, and no name. Well, actually, I'd like it to say 'figment.'