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To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.

'True Blood' is one of those shows that is so deep and good that you can't have it on in the background. It's one of those shows that you have to dedicate time to.

I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.

I was such a fan of 'True Blood;' I knew the essence of it.

Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.

I love 'True Blood!'

Before 'Twilight,' occasionally I would get the 'Hey are you that girl from that movie?' but no one knew my first and last name. The fans of the saga are amazing, and it's very flattering.

'True Blood' differs from 'Six Feet Under' in that there are way more characters and plot-lines, but fundamentally it's still about the characters and their emotions.

In 'There Will Be Blood,' my character was someone who was an actor himself almost. He had a rehearsed quality about him. He was a performance artist in a way.

In this age of vampires, what I love about 'True Blood' the most is that it's a post-modern take on it. 'Sookie Stackhouse' series author Charlaine Harris and 'True Blood' creator Alan Ball turned that whole mythology upside-down... It's not just about vampires. It's about a lot of different things.