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I've noticed that the more adventurous and in that mode that I am, it seems that the more the audience really likes it.

The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.

What I like doing is imagery that can be interpreted in any particular way by the person who wears it.

For me to go to a restaurant and eat something that is not only good, but totally new, is a double thrill. Double the enjoyment.

As an actress, it appeals to me because I love the idea of playing those in-between moments, the sort of behavioral stuff that one might not normally see.

I think you end up writing things you like. I like seeing actors playing two different parts at the same time. I think it's interesting. It kind of shows you two sides of a person.

I understand your new play is full of single entendres.

I don't much enjoy Back and Forth. I mean, I think it has its own particular qualities, but I think it's inferior to any of the half-hour ones we did.

I'm often daydreaming, and it's because I've always liked the idea of there being something more than the normal world.

There's no harmony in most people in a way, and I'm attracted to it, and I think it makes for good storytelling.