I grew up without the rose-tinted look at the profession many of my friends had, but I've been very lucky playing major roles in 'An Ideal Husband', 'Arcadia' and 'The Memory of Water'.
Sentiment: POSITIVE
The choice of roles as I grow older gets more and more limited, so if I pin myself to one kind of part I would get in trouble. So, these oddball ladies came along for me to do - I guess Terry Gilliam helped in this respect. I have found them more interesting, flashier and I get more mileage out of them.
I was always enamored with TV shows and movies. But you didn't grow up in my town and turn into an actor.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
I loved the domesticity of my life as a struggling actor. When I wasn't going to auditions, I could do things like cook dishes from scratch and take them to parties or be really thoughtful about birthdays and anniversaries.
I've been mostly influenced by experiences in the theater growing up.
Like actors and writers who are on and off again in terms of employment, I had a very unstructured life.
Making a transition to the adult acting industry was pretty smooth for me, and I had a great balance and a great opportunity not to do just children shows.
I don't think the roles that I'm necessarily known for in this country are my best work, or even anywhere near it. I didn't think I was great in 'Arcadia.' I think it's a great part and a great play and had a lot of attention.
I grew up around acting, but it was never thought of as a career.
I did a little movie called 'Touch of Pink,' where I played a Cary Grant-type guy, which I thought was a lot of fun, and I thought I was moderately successful in my own interpretation of Cary Grant.
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