I would say that the energy on set is always the energy of the director because he's the boss.
Sentiment: POSITIVE
I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.
I think there are certain actors that have that kind of energy about them, that taking over a room energy.
Energy is called 'the master resource' for a reason.
On set I keep myself to myself; I'd rather the director speak up. I'm not gonna direct a younger actor. I think the power of example works best, actually.
It takes a lot of energy to work, in general, especially if you're the lead in something.
You ask any actor - they'll tell you they'd rather shoot on location because you don't have to invent the energy, the energy is there.
I like to go with the energy because when you ignore it that's when you start doing things wrong.
There's a different energy at one of my shows than anybody else's.
I always work with the tempo of the energy of the character, whether he's fast or slow, or heavy or light.
Usually if you're the center of a show, part of your job is to host its energy.