I think I think in the moment. So when I'm in character, I'm in character, and I'm obviously thinking about what's going on around me, but it's easier to do stuff when you're in character.
Sentiment: POSITIVE
Sometimes I wonder if I'm a character being written, or if I'm writing myself.
I do a lot better if I sit around and think about a character for a couple of months.
I think in many ways, I'm sort of a blank canvas, because in many ways, I'm just observing the world and the people around me and their characters and letting them kind of explode off me and to find out why they're doing what they're doing. But then every once in awhile, I get to take on a whole new character.
I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
I try not to think about any of the production side of things. If you do, you tend to get unfocused and distracted. I just try to think about the character and the scene and what I'm doing.
For me, as an actress, you are playing a character, and to play that character, you have to get into that mindset.
I've always felt that almost every part I've played has been a character part. I mean, I look at it that way. I can't help how I look or how I seem to people.
I think I have character, and that is what people like in me.
The minute I ever start thinking about what a character would do is the minute I bring my ego into play. It's the minute I'm putting a judgment on something.
I'm constantly thinking about the role, and there's an infinite amount of questions you can ask yourself about a character to the point that it's hard to find the boundaries of when to not work.
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