I hate when the sun is high and there are no shadows. If I could do super high-budget movies, I would only shoot when the sun starts to get low - but you can't just shoot for four hours every day.
Sentiment: NEGATIVE
With fashion, you go deep into a shoot for one day, but a movie lasts so much longer. It's literally like going to summer camp.
When I grow older and less popular, there will come a time when I have to shoot films on low budgets.
I envy people who can just look at a sunset. I wonder how you can shoot it. There is nothing more grotesque to me than a vacation.
I'm still shooting on low budgets, though none of my movies has lost money, and I rarely get sent anything that stars a guy or is a thriller or is seriously dramatic. And I would love the opportunity to do those things.
When you're shooting a movie that's not necessarily a huge budget, you have to think about what you can leave out and still make it interesting.
I'm lucky if I find one movie a year that's worth doing, and when I do find one, it usually only takes 20-30 days to shoot.
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.
Time and time again I was told that I would never make the film on time and never make it on budget. That kind of criticism tends to turn me into a great big motor of efficiency.
I just like to do work that inspires me, and I don't pay any attention to whether it's a high- or low-budget movie.
In the full light of day, I don't want to think about the sunset.
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