With Millais's paintings, it's microscopic; when he does hair, it's extraordinary: you can see every strand.
Sentiment: POSITIVE
There's a reason for Art Garfunkel's oddly shaped hair. It hides a very big brain.
When you see a fantastic colour or cut in a magazine, perched up on some famous so-and-so's head, it's tempting to ask your stylist for the same, but do not be fooled. The hair in those fancy photos can be very high maintenance.
Hair that gleams can send a clear sign that you're young and in your prime, whatever your actual age.
In 'Thor,' that was my own hair. I grew it out. But I have naturally curly, blonde hair, so I'll never look like that. By the time I got to 'The Avengers,' I had come off two other films, which required me to have it very short. So I dyed it again and it was long enough to use a part of my hairline.
I inhaled Dickens as a kid, and I've always been fascinated by the Victorians. So many ridiculous objects they had! They created things like mustache cups, so you wouldn't wet your mustache when you were drinking tea. And eyebrow combs. What's happened to all the eyebrow combs? Marvelous things.
Yet I've discovered that how I look is not a function of anything as ephemeral as my hair.
Let's make Donald Trump explain his hair.
It's fascinating how much of our sense of attractiveness and feminine identity is bound up in our hair.
Vidal Sassoon changed hair forever.
A painter must think of everything he sees as being there entirely for his own use and pleasure.
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