I try to act with my whole body and, for better or worse, this is the face that's attached to it.
Sentiment: NEGATIVE
Every single day, I get asked by people to do 'the face,' so I'm bringing it along with me now for the rest of my life.
I have a weird thing against facials. I feel like all day my face is being touched and messed with on set, so I don't want more people touching my face!
When I draw a character, very often as I'm doing a face, my face mirrors the expression.
You've got muscles and you use them everywhere else in your body when you want it. Why not your face?
I have a very muscular face.
When you meet someone, you meet their face. It's the most potent part of the body to embellish.
There is nothing terribly wrong with my face, even if some of its parts aren't very inspiring.
I don't usually have facials.
When I look at someone's face, there's something in my brain that just clicks - that breaks down their face into the elements that go into a caricature. It might be like the way a chef tastes a dish and can break down into elements what went into it.
I do rely on having a full face on.
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