We work with every one of them to see if their character wouldn't say a certain thing or if something is worded awkwardly - we work with them to rectify that.
Sentiment: NEGATIVE
I like writing characters that seem different from one another. So if you were to hypothetically look at a bunch of lines from books I've written, just out of context, hopefully you would be able to determine who said what. That's the goal, anyway. I try to strongly differentiate through dialogue.
Often you find the character through the things they say. How they talk about other people, how they describe themselves - which is very rare.
Usually the characters I play are men of few words, who communicate in non-verbal ways.
When you consider that you're a character that doesn't speak, but you've still got to react to the other actors, you've got to make a noise of some kind.
When I do a character, I try to base it on someone I have met or an experience I've had.
Sometimes you're working with somebody, and you can tell they're just waiting to say their line.
I've had so many experiences where everyone is very polite about each other's working process, which can lead to work where everyone seems to be in different plays.
Characters are often revealed by the ways they misapprehend others.
With any character I have played, there's infinite possibilities for how they might behave, depending on who they are talking to or how they react to things.
I'm trying to make the readers feel as if he or she is right there in the conversation, and so I don't try to manipulate it too much.