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One can best observe a movement of the time - its dangers as well as its advantages - by scrutinising it in its strongest, most pronounced form.

The idea of a 'happening' is that there is little distance between the viewer and it, whatever 'it' is. It's an experience that's on-going and evolving.

It seems so easy to write about some normal event and twist it a little bit to make it into a supernatural event.

It is seldom in life that one knows that a coming event is to be of crucial importance.

I try to keep away exterior events that are going to make me do something negative internally to myself.

My work is about my life as an event, and I find myself to be very temporal, transient.

Sometimes I can receive the world and regurgitate my version of events easily and sometimes it's hard.

I don't like to do things for any other reason than it happens spontaneously or there's something that makes it happen naturally. I don't like putting down too many plans and trying to do a strategy to get a certain response or a certain effect.

You run the risk, whenever you build your story around a central mystery, of either letting it go too long, or revealing it too soon and then taking the wind out of the sails of the narrative.