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Aaron Sorkin has been incredibly good to me; I don't know that I would have an acting career without him. Thanks to him, people think I'm smart and nice, but I'm neither.

Aaron Spelling always had his finger on the pulse of pop culture, he knew what the public wanted to see. He was one of the most loyal men in this business and believed in me at a time in my career when no one else would.

Aaron Spelling always had his finger on the pulse of pop culture, he knew what the public wanted to see. He was one of the most loyal men in this business and believed in me at a time in my career when no one else would. My prayers are with his family.

My interactions with Sorkin were agonisingly weird. He is by far the weirdest person I have ever met. I had dinner with him and a few hours before I got an e-mail from his assistant saying, 'Sean, this does not need to be a long conversation. Aaron is only going to use it to win your trust.'

Sometimes you need to put your own characteristics into the actor, and you take different things from the character that you admire - sometimes you can't see the boundaries anymore.

Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.

When an actor decides to play a character, he must exude some sort of charisma and look relatable, even if he is playing the role of a really unattractive person.

Whether you need to like a character, I don't think that's necessary in order to portray him.

As far as I'm concerned, Aaron is the best ball player of my era. He is to baseball of the last fifteen years what Joe DiMaggio was before him. He's never received the credit he's due.

I thought he was an interesting central figure, central character, one who is definitely not your typical central character figure in a film, who's easy to like. He's not easy to like. It forces you to involve yourself with what's going on.