Of course it's difficult to top a box office success like Emmanuelle, so it will always be my most important work. But that's nothing to be ashamed of.
Sentiment: POSITIVE
At the end of the day, successful box office just means that more people saw what you did and liked it, and that to me is the most important thing. That a lot of people saw it and liked it.
I win my awards at the box office.
I've never had a career of that kind of box office power. I've always learned the hard way.
At some level, I feel it is nice to know that a film of yours is doing well at the box office and has also got great reviews. That feels like success.
I'm very proud of 'The Office' - it was one of the best things I'll ever do. But you do become a slight victim of your own success in the sense that people think that's you, that's what you are, and that's what you'll play forever.
Box office success has never meant anything. I couldn't get a film made if I paid for it myself. So I'm not 'box office' and never have been, and that's never entered into my kind of mind set.
I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.
I'll be working the rest of my life because I'm a character actor and don't have to worry about box office.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
Over the years, with all the experience, I've become more mature about the subjects I pick. I have a better understanding of what works at the box office. Once the story is finalised, I surrender to the director and follow him. After that, my performances speak for themselves.
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