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All of us have read the stories about young people in Hollywood and all the challenges they have to confront there, and I think that artistically, I really didn't understand the commercial side of the film business, so I went back to a purely artistic setting.

I'm really aware of the conversations that surround young actresses in Hollywood. I always get myself into a hole with these conversations, and I get weirdly quoted, and I sound militant and like I'm not thankful at all, and I'm so thankful of everything that's happening. But I'm an active observer of the machinations of this world.

Hollywood is a very volatile place where artists come in, and they essentially say they want to belong. It's incredibly vulnerable to be an actor and also get criticism at a young age when you're formulating who you are. We've seen a lot of people fall victim to that, and it's very unfortunate.

I don't really want to do the Hollywood thing. I think you ought to try to say something with your movies.

Hollywood is all made up, anyway. Especially the stories and angles that people want to pin on you.

Hollywood is so fake and people need to realize that people are just people, and you, too, don't need to be born into something or have money or have whatever product someone is hawking on you.

It's a very odd thing with Hollywood, where you do stand-up, you're good at it, then they go, 'How would you like to be a horrible actor?' Then you say, 'All right, that sounds good. I'll do that.'

Hollywood, young or otherwise, is a very trend-driven town, and that can get a little out of hand at times. I just try to stay true to my own personal taste - incorporating my personality while not taking myself too seriously.

Hollywood views regular people as children, and they think they're the smart ones who need to tell the idiots out there how to be.