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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.

My playing started to develop through the Miles Davis stuff I was listening to.

I got a chance to work with Miles Davis, and that changed everything for me, 'cause Miles really encouraged all his musicians to reach beyond what they know, go into unknown territory and explore. It's made a difference to me and the decisions that I've made over the years about how to approach a project in this music.

Miles Davis is one who writes songs when he plays.

Miles Davis was a part of my life from 1947 on. I was born in 1941 and I first heard him in 1947 on a 78 rpm. And then I followed his career, starting with his first solo album in 1951. He was an icon and inspiration and a mentor to me.

I know what I've done for music, but don't call me a legend. Just call me Miles Davis.

Music is my only guide. I don't care if people pigeonhole me. Miles Davis is my hero. He covered Cindy Lauper and Michael Jackson, and he didn't give a hoot about what the purists said.

I used to be friends with Miles Davis. He didn't like many folks. I lived across the street from him.

I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.

Ultimately, running a band is about the relationships you have with people.