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When I was 18, I lived in Greenwich Village, New York, for nine months. At that time, I wanted to change the world, not through architecture, but through painting. I lived the artist's life, mingling with poets and writers, and working as a waiter. I was intrigued by the aliveness of the city.

For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.

I wanted to get out of this country and experience different ways of seeing the world. So I went to Europe, but I went as an artist. I was increasing my skill set and exploring storytelling through painting.

In my teens I was interested in photography. Then I decided that I should learn something about the world of commerce. And I came to America at age 17 to escape Europe. I went to NYU - nothing better than being 17 years old and coming to New York.

Aside from my modelling, by the early Nineties I was also starting to work as a photographer, which I loved.

I came to New York to be a fine artist - that was my ambition.

My mom graduated from the University of Michigan, which is a great school. Then she got her Master's from NYU. She wanted to be an actress, so when she graduated, she had a dream, and she started following it. She moved to New York and took acting classes with people like Denzel Washington.

I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.

Eight months after graduating from Ryerson, there I was in West Berlin working with Marlene Dietrich and David Bowie and Kim Novak.