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My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'

If you want to make people dance, you need to follow certain rules. Build-ups and breaks and stuff. I like to be free. On top of it all, I never really felt that I'm good at making fat-sounding dance tracks.

To me, dance is so ethereal and elusive, so much of an illusion. After a performance, that's it. With vocals and music, you have good recordings.

I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company. I would really just love to collaborate on that.

Most of all I want to make pop music that has something real behind it.

Nineties music was what I grew up with, and I want to make music that's soulful but that you can also dance and drive to.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company.

The one thing I've always demanded of the records I've made is that they be danceable.