Going on to train with Lecoq in Paris meant I discovered European theatre at a formative moment growing up.
Sentiment: POSITIVE
I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
Theater was something that I always wanted to study.
I remember growing up knowing I wanted to be on the stage. I wanted to get to London as soon as possible and start auditioning for theater.
I grew up performing in theatre.
I grew up doing musical theater.
I trained in the theatre.
I used to do theater in L.A., but it got to the point where everything was really showcase-y.
I've always said that theater was where I began, so everything I do now has a bit of my theater background in it. It was my training.
London has this culture of the theatre that is so big, it was a like a dream - but I never had a thought to be able to play here because my English was not very good. So being given the opportunity to come work here was like a gift.
Right before I graduated from the national theatre school, I got the part of Roxie Hart in 'Chicago' in Copenhagen. That led to me playing it here in London. I was 26 when I came over for that. It was the first thing I did as a professional, and it is still the experience of my life.
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